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A Seminar in Music Business Strategy with Berklee Professor John Kellogg Preparing Yourself for a Music Industry Career Copyright Registration Strategy Getting Your Music Heard (and Turning That into Cash) The Role of Major Labels in Today’s Industry (and is a Major Deal Right for You?) Live Performance as a Driver of Your Career Starting Small to Making it Big Getting the Most Out Of Your Recording Contract Negotiations Signing a Contract? Get a Lawyer! Networking and Recognizing Industry Players Ethics and Professional Reputation: What Goes Around Comes Around Sampling – Does it Make Business Sense? File Sharing and New Models for the Industry
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  • Performing Rights Organizations
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John Kellogg
John Kellogg is an entertainment attorney, performer, and Assistant Chair of the Music Business/Management Department at Berklee College of Music. He is also a practicing lawyer, who for many years represented the R&B group The O’Jays, and who currently represents singer Gerald Levert as well as emerging artists. Kellogg also performed and recorded with the R&B/funk group Cameo before attending law school.
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John Kellogg, Professor of Music Business/Management at Berklee College of Music, discusses why songwriters and artists should register their songs with a performance rights organization such as BMI, ASCAP or SESAC.



Shoot Date:
October 2007
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Keywords:
Advice | Music Schools | Performing Rights Organizations

This Video Clip Appears on:
Copyright | Performing
Company or School:
Berklee College of Music

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