Homepage
  • Home
  • Musician's Strategy
  • Marketing
  • Production
  • Music Business
  • Legal
  • Education
  • Careers in Music
  • Genre
  • Contact
  • Tags
  • Video
  • Login

Buy DVD's | Community | Join Us | Your Playlists | Search:


Back

Additional Resources
Related Websites
Music Industry Profile: Attorney Wallace Collins Attorney Wallace Collins on Transitioning from the Music Business to Entertainment Law Recommended Reading for Entertainment Law The Difference between Representing Producers and Artists A Typical Day in the Life of an Entertainment Lawyer New York vs. California Courts: Why They Handle Copyright Cases Differently Why it’s Difficult in the USA to Get out of a Contract You’ve Signed Why Should Musicians Copyright Their Songs? What do Copyright Symbols Mean? Sound Recordings and Works Made for Hire What is a “Work for Hire?” The Controlled Composition Clause and Why It Reduces Your Bottom Line Why Are Licensing Rates Determined by Law? Compulsory Licenses and Sync Licenses Defined Publishing Deals and Performance Rights Organizations Should Radio Stations in the USA Start Paying Performance Rights Fees? Is New York The Right Place to Start Your Career in Music? The Death of the Album and the Future of the Music Industry
Related Websites
Preparing for College Auditions
Petersons: Music Audition
MENC: Nail That Audition
Music Legal Forms
A Music Industry Case Study
The Firm
BMI's Database of Artist Interviews
Music-Law
Musician's Archive

Related AHM Content
  • Advice
    • Can Musicians Allow Their Music to be Used to Sell Stuff, Without Selling Out? Former RCA CEO Bob Jamieson on Making Every Experience a Learning Opportunity Former RCA CEO Bob Jamieson on How to Succeed as a Career Musician Remote Recording- Advice Promotion Tips For Your Band Becoming a Professional Musician Advice for Young Artists Read Your Contracts Elevator Pitch Advice to Those Entering the Music Industry
  • Contracts
    • The Terms of Publishing Contracts Read Your Contracts Manager Contracts Negotiating Your Recording Contract Music Industry Bio - Jeffrey Brabec of Chrysalis Music Group Types of Publishing Deals Record Contracts Why Do You Need a Lawyer? Signing a Recording Contract, Publishing and Royalties Contracts, Budgets and Copyrights
  • Lawyer
    • Legal and Business Affairs About Barry Menes Does an Artist Need a Lawyer? About Paul Menes Copyright Law The Future of the Industry About Richard Green A Career in Law Why Do You Need a Lawyer? An Introduction to Music Licensing
When Should an Artist Seek Legal Advice?

Wallace Collins
Wallace Collins is an independently practicing music attorney based in New York City.
Print

You need to upgrade your Flash Player to version 8 or later.

Description:

Wallace Collins, an entertainment attorney based in New York, discusses when and how often you should bring a lawyer in on business decisions you make.



Shoot Date: October 2007
Related Materials

Keywords:
Advice | Contracts | Lawyer

This Video Clip Appears on:
Team | Team
Company or School:

User Tags:






 Community
login or register to post comments | Send to a Friend | delicious | digg | furl | google | yahoo | technorati | 436 reads

 

 

 

 

 

 

About Us Master Classes Partners Help Contact Us AHMusicMedia.com Get Flash Player