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Todd Brabec- Full Interview About ASCAP The Difference between ASCAP and BMI The Fee for ASCAP's Services Music, Money, and Success Todd Brabec of ASCAP on: Exploiting What You Have Performance Royalties for Films What Should a Publisher Be Doing For You? ASCAP Resources Pro Advice for Film Composers ABA 2008 Forum: The Life of a Song ABA 2008 Forum – The Life Cycle of a Song: Introductions ABA 2008 Forum – The Life Cycle of a Song: Mechanical Royalties and Problems With Royalty Rates Today ABA 2008 Forum – The Life Cycle of a Song: Remixes, Samples & Mash-Ups and Copyright Clearances ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Video Game Licensing ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Television and Film Licensing ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Merchandising Uses ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Repurposing in Musical Theatre ABA 2008 Forum – The Life Cycle of a Song: Question & Answer
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When Does one need an ASCAP License?

Todd Brabec
Todd Brabec is Executive Vice President of the American Society of Composers, Authors and Publishers (ASCAP), a membership association of nearly 300,000 US-based songwriters, lyricists, and publishers. He is also the author, with his brother Jeffrey, of “Music, Money, and Success: The Insider’s Guide to Making Money in the Music Industry, 5th ed.” (Schirmer, 2006).
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Todd Brabec is the Vice President and Director of Membership for the American Society of Composers, Authors, and Publishers (ASCAP). He talks about when an individual needs a license. Whenever music is used for anything outside the home, such as a department store or dentist office, permission must be given. A license must be acquired and a payment made. Brabec explains that the decision of whether ASCAP or BMI collects the money and negotiates the fee depends on the writer of the composition being performed. Whichever organization the writer is affiliated with settles the license. Also in this segment, Brabec discusses negotiating licenses. ASCAP deals with all different users of music. Each license is negotiated separately. For instance, university licenses depend on the number of full time students enrolled. Reciprocal agreements are covered as well. The main countries of the world have their own performing rights organization. Since American writers and publishers receive a lot of their money from outside of the United States, ASCAP has agreements with the PROs of the world. When ASCAP writers are performed outside of the US, the foreign PROs collect as if the American writers were part of their own society.



Shoot Date:
Nov-05
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Keywords:
Licensing | Performing Rights Organizations

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