Homepage
  • Home
  • Musician's Strategy
  • Marketing
  • Production
  • Music Business
  • Legal
  • Education
  • Careers in Music
  • Genre
  • Contact
  • Tags
  • Video
  • Login

Buy DVD's | Community | Join Us | Your Playlists | Search:


Back

Additional Resources
Related Websites
An Introduction to Copyright Law and the Music Industry with Berklee Professor Maggie Lange Understanding Intellectual Property and Copyright Explaining the Compulsory Mechanical License Provision Explaining Copyright Term and Fair Use Understanding Derivative Works Copyright and the Right of Public Performance Negotiating and Signing a Band Agreement What is Work for Hire, and How Does it Affect You As an Artist? The Two Things That Your Record Deal Absolutely, Positively Must Have What to Expect in a Recording Contract
Related Websites
Creative Commons
Copyright Clearance Center Online
U.S. Copyright Office
Yahoo Directory: Music Schools
National Association of Schools of Music
American Federation of Musicians
Copyright Navigator
Copyright Royalty Board
Music School Address Book
Friends of Active Copyright Educators

Related AHM Content
  • Copyright
  • How to Get Your Band's Career Started the Right Way Music Publishing 101 Copyright Law Copyright Law About Digital Rights Management and Copyright Law Performance Royalties Copyright Copyright Law Keeping the Balance- Exploiting Copyright Copyright: Dealing in China
  • Legal
  • Independent Labels and Artist Deals Advice for Aspiring Artists About the MBA in Digital Media Management Program at St. Edward’s University Filesharing and Ethics Video Games and Copyright Law What is Legal Precedent and How Does it Work (and Why Isn’t It Working for Copyrights)? The Future of Copyright Law in the United States How Copyright Law Applies to Sound Recordings Copyright Law and Sampling Understanding Derivative Works
  • Mechanical License
  • How do publishing fees work? What is a Mechanical License? Performance Royalties Controlled Composition Clause and Excess Mechanical Royalties Mechanical Licenses Music Industry Profile: Entertainment Lawyer and Author Don Passman Don Passman on the Difference between Artist Royalties and Mechanical Royalties Guitarist Adam Levy on the Income Opportunities of Licensing Deals Explaining the Compulsory Mechanical License Provision Introduction to Music Industry Studies: Week 9 – Publishing
  • Music Schools
  • Music Educator Profile: Cathy Benedict of NYU Music Education Methods Music Programs Performance vs. Education Teaching Theories Music Educator Profile: Latin Percussionist Dafnis Prieto of NYU Percussionist Dafins Prieto on Cuban Music Percussionist Dafins Prieto of NYU on Afro-Cuban Music Percussionist Dafins Prieto of NYU on Drums as Melodic and Rhythmic Instruments Music Industry Profile: Dianna Heldman, Professor of Vocal Performance at New York University
Understanding Copyright Law and Exclusive Rights

Maggie Lange
Maggie Lange is an experienced entertainment/contract lawyer, musician, and Assistant Professor of Music Business/Management at Berklee College of Music, where she teaches a course in music copyright law.
Print

You need to upgrade your Flash Player to version 8 or later.

Description:

Maggie Lange, an attorney and Professor of Music Business/Management at Berklee College of Music, explains the five “exclusive rights” that the law grants to a copyright holder, as well as some of the exceptions and additions that apply to music, such as the compulsory mechanical license and minimum statutory rate clauses.



Shoot Date:
October 2007
Related Materials

Keywords:
Copyright | Legal | Mechanical License | Music Schools

This Video Clip Appears on:
Copyright
Company or School:
Berklee College of Music

User Tags:






Community
login or register to post comments | Send to a Friend | delicious | digg | furl | google | yahoo | technorati | 1038 reads



 

 

 

 

 

 


About Us Master Classes Partners Help Contact Us AHMusicMedia.com Get Flash Player