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Music Industry Profile: Film Composer Jeff Rona Film Composer and Synth Guru Jeff Rona on His Education and Career Writing Successful Scores for Film and Television Can Music Make or Break a Film? Film Scorer Jeff Rona on Conceiving and Executing a Score Is It Ethical to Write Songs and Film Scores “By the Yard?” The Role of Technology in Film Composing Balancing your Personal and Professional Life The Benefits of Having a Broad Exposure to the Arts Film Composer Jeff Rona on Having Your Music Influence Popular Culture Advice for Parents of Young Musicians Advice for Aspiring Film Composers
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International Confederation of Societies of Authors and Composers
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The Work-For-Hire Nature of Film and Television Composing

Jeff Rona
Jeff Rona is a contemporary film composer and recording artist who has worked on numerous film and television scores, including Homicide: Life On The Street, The Lion King, Traffic, The Net, Toys, Mission: Impossible II and many, many others. Prior to becoming an established composer, Rona was active in the creative and technical aspects of electronic music, and was one of the architects of the MIDI standard. He is author of The Reel World, a guide to the art and business of film scoring, and which grew out of a column of the same name which he regularly writes for Keyboard Magazine.
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Jeff Rona, an electronic music specialist and notable film composer, describes two ways that work-for-hire film composition deals can be structured (fee-based and package-based), and discusses how the composer gets paid in each case.



Shoot Date:
November 2007
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Keywords:
Composing | Songs in Films | Work For Hire

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Business | Songwriting
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