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Understanding Copyright Issues in the Digital Age Introducing Copyright Expert Dr. E. Michael Harrington Criteria for Determining a Composition’s Originality Examples of Fair Use of Copyrighted Material The Legal Challenges and Cultural Benefits of Sampling Copyrighted Material The Composer’s Dilemma: Musical Influence Versus Plagiarism Adapting Licensing Laws in a Changing Industry Defending Fair Use in a Litigious Industry Breaking New Artists on the Internet The Pros and Cons of Subscription-Based Music in an Ownership Society Assigning Value to Mechanical Royalties Examining the European Union and Canadian Approach to Digital Copyright Issues The Audio Home Recording Act as a Precedent to Future Fair Use Laws Putting Copyright Law in Its Historical Context
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The Consequences of Restricting Consumers’ Rights to Make Ephemeral Recordings

E. Michael Harrington
Dr. E. Michael Harrington is professor of intellectual property at Belmont University in Nashville, TN and has served as an expert witness in numerous music copyright cases. He is also chair of the College Music Society Committee on the Music Industry, serves on the board of directors of the Nashville Composers Association, and on the Advisory Board of Plagiary.
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IP professor and copyright law expert Dr. E. Michael Harrington tackles the sticky subject of the RIAA’s restrictions on ephemeral recordings and the damaging effect these copyright laws have on consumers’ goodwill toward the recording industry.



Shoot Date:
October 2007
Related Materials

Keywords:
Digital Rights Management | Fair Use | Infringement

This Video Clip Appears on:
Copyright
Company or School:
Belmont University

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