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Understanding Copyright Issues in the Digital Age Introducing Copyright Expert Dr. E. Michael Harrington Criteria for Determining a Composition’s Originality Examples of Fair Use of Copyrighted Material The Legal Challenges and Cultural Benefits of Sampling Copyrighted Material Adapting Licensing Laws in a Changing Industry Defending Fair Use in a Litigious Industry Breaking New Artists on the Internet The Pros and Cons of Subscription-Based Music in an Ownership Society Assigning Value to Mechanical Royalties Examining the European Union and Canadian Approach to Digital Copyright Issues The Consequences of Restricting Consumers’ Rights to Make Ephemeral Recordings The Audio Home Recording Act as a Precedent to Future Fair Use Laws Putting Copyright Law in Its Historical Context
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The Composer’s Dilemma: Musical Influence Versus Plagiarism

E. Michael Harrington
Dr. E. Michael Harrington is professor of intellectual property at Belmont University in Nashville, TN and has served as an expert witness in numerous music copyright cases. He is also chair of the College Music Society Committee on the Music Industry, serves on the board of directors of the Nashville Composers Association, and on the Advisory Board of Plagiary.
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IP professor and copyright law expert Dr. E. Michael addresses the elusive nature of music’s influence on composers, arguing that no songwriter works in a vacuum. Here he explores the vague territory between influence and plagiarism, and attempts to make the distinction as perceived by copyright law and his own expert opinion.



Shoot Date:
October 2007
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Keywords:
Copyright | Infringement

This Video Clip Appears on:
Copyright
Company or School:
Belmont University

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