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A Seminar in Music Business Strategy with Berklee Professor John Kellogg Preparing Yourself for a Music Industry Career Copyright Registration Strategy Getting Your Music Heard (and Turning That into Cash) The Role of Major Labels in Today’s Industry (and is a Major Deal Right for You?) Why Join a Performance Rights Organization? Live Performance as a Driver of Your Career Starting Small to Making it Big Getting the Most Out Of Your Recording Contract Negotiations Networking and Recognizing Industry Players Ethics and Professional Reputation: What Goes Around Comes Around Sampling – Does it Make Business Sense? File Sharing and New Models for the Industry
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Signing a Contract? Get a Lawyer!

John Kellogg
John Kellogg is an entertainment attorney, performer, and Assistant Chair of the Music Business/Management Department at Berklee College of Music. He is also a practicing lawyer, who for many years represented the R&B group The O’Jays, and who currently represents singer Gerald Levert as well as emerging artists. Kellogg also performed and recorded with the R&B/funk group Cameo before attending law school.
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John Kellogg, Professor of Music Business/Management at Berklee College of Music, makes a case for why it’s extremely important to have an experienced music lawyer look over your recording contract before you sign on the dotted line, and what to do if you don’t have, or can’t afford, an entertainment lawyer.



Shoot Date:
October 2007
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Keywords:
Contracts | Getting Signed | Lawyer | Music Schools | Record Deals

This Video Clip Appears on:
Music as a Business | Team
Company or School:
Berklee College of Music

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