Homepage
  • Home
  • Musician's Strategy
  • Marketing
  • Production
  • Music Business
  • Legal
  • Education
  • Careers in Music
  • Genre
  • Contact
  • Tags
  • Video
  • Login

Buy DVD's | Community | Join Us | Your Playlists | Search:


Back

Additional Resources
Related Websites
Music Industry Profile: Attorney Wallace Collins Attorney Wallace Collins on Transitioning from the Music Business to Entertainment Law Recommended Reading for Entertainment Law The Difference between Representing Producers and Artists A Typical Day in the Life of an Entertainment Lawyer New York vs. California Courts: Why They Handle Copyright Cases Differently Why it’s Difficult in the USA to Get out of a Contract You’ve Signed When Should an Artist Seek Legal Advice? Why Should Musicians Copyright Their Songs? What do Copyright Symbols Mean? Sound Recordings and Works Made for Hire What is a “Work for Hire?” The Controlled Composition Clause and Why It Reduces Your Bottom Line Why Are Licensing Rates Determined by Law? Compulsory Licenses and Sync Licenses Defined Publishing Deals and Performance Rights Organizations Is New York The Right Place to Start Your Career in Music? The Death of the Album and the Future of the Music Industry
Related Websites
Pandora
Last.fm
Children's Music Web
Gooney Bird Kids
Make Radio Promo Clips with Garageband
Radio Promotion Guide
College Radio Online Database
Internet Radio
Canadian Musical Reproduction Rights Agency (CMRRA)
Clear Channel

Related AHM Content
  • Licensing
  • Can Musicians Allow Their Music to be Used to Sell Stuff, Without Selling Out? What is a Mechanical License? Getting a Job in Licensing Music The Business of Licensing Music Publishing and the Digital Age Compulsory License Video Game Licensing When Does one need an ASCAP License? The Future of Music Licensing What is a Compulsory License?
  • Music Industry
  • How Bob Jamieson got Started Advice for Starting Your Music Industry Career Career Development Advice Dave Kusek of Berklee College of Music Discusses The Past and Future of the Music Industry Chris Blackwell on Why Music Downloads Can Be Good Business Chris Blackwell on How He Entered the Music Business Chris Blackwell on Who Should Seek a Career in the Music Business Chris Blackwell on Musical Taste and Success Chris Blackwell on Jamaican Music What Does an A&R Person Do?
  • Radio
  • Creating A Marketing Plan As An Independent Artist Developing A Successful Marketing Plan Chris Blackwell on the Value of Local Radio The Music Business Today The Changing World of Distribution and Advertising SR VP Radio Marketing and Distribution Channels at Jive Records Working In Radio and Beyond: Pro Advice from Nancy Mendoza Inside the World of Country Music Essential Methods for Marketing Artists
Should Radio Stations in the USA Start Paying Performance Rights Fees?

Wallace Collins
Wallace Collins is an independently practicing music attorney based in New York City.
Print

You need to upgrade your Flash Player to version 8 or later.

Description:

Wallace Collins, an entertainment attorney based in New York, discusses why removing the exemption that radio stations in the USA currently enjoy from paying performance fees on the music they play – an exemption not shared by bars, internet radio stations, concert halls, and so on – is an idea whose time has come.



Shoot Date:
October 2007
Related Materials

Keywords:
Licensing | Music Industry | Radio

This Video Clip Appears on:
Copyright
Company or School:

User Tags:






Community
login or register to post comments | Send to a Friend | delicious | digg | furl | google | yahoo | technorati | 382 reads



 

 

 

 

 

 


About Us Master Classes Partners Help Contact Us AHMusicMedia.com Get Flash Player