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Music Industry Profile: Music Director Edwina Travis-Chin Edwina Travis-Chin of APM Music on Being a Music Supervisor Edwina Travis-Chin of APM Music on Being a Music Supervisor What Does a Music Supervisor Do? Being Sensitive to the Needs of Your Clients as a Music Supervisor Keeping Current with New Musical Styles as a Music Supervisor How to Get Your Music Signed to a Label or Publisher What Skills Should a Music Library Director Have? Advice for Parents of Children Considering a Career in Music Advice for Young Musicians on Succeeding in a Music Career Advice for Becoming a Music Supervisor Becoming a Composer for Film, Television or Video Games The Effect of Technology on APM Music’s Distribution Model The Future of the Music Business Music Director Edwina Travis-Chin on “Can You Still Listen to Music for Pleasure?” How Illegal File Sharing Affects Recording Artists The Value of Music Education
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Scoring Animated Entertainment

Edwina Travis-Chin
Edwina Travis-Chin is a music director with APM Music, in which role she collaborates with music supervisors from all areas of the entertainment industry to find them music from APM’s affiliated libraries that will meet their needs. Prior to this role, she worked as a music supervisor, a copyright clearances coordinator, and a music teacher.
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Edwina Travis-Chin, a music director with APM Music, discusses the specific challenges that a film/TV scorer faces when working on an animated project, and the role that a music supervisor can play in making that job easier.



Shoot Date: November 2007
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Keywords:
Film/TV Scoring | Music Supervising | What it Takes

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