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A Seminar in Music Business Strategy with Berklee Professor John Kellogg Preparing Yourself for a Music Industry Career Copyright Registration Strategy Getting Your Music Heard (and Turning That into Cash) The Role of Major Labels in Today’s Industry (and is a Major Deal Right for You?) Why Join a Performance Rights Organization? Live Performance as a Driver of Your Career Starting Small to Making it Big Getting the Most Out Of Your Recording Contract Negotiations Signing a Contract? Get a Lawyer! Networking and Recognizing Industry Players Ethics and Professional Reputation: What Goes Around Comes Around File Sharing and New Models for the Industry
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An Overview of Samplers

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Sampling – Does it Make Business Sense?

John Kellogg
John Kellogg is an entertainment attorney, performer, and Assistant Chair of the Music Business/Management Department at Berklee College of Music. He is also a practicing lawyer, who for many years represented the R&B group The O’Jays, and who currently represents singer Gerald Levert as well as emerging artists. Kellogg also performed and recorded with the R&B/funk group Cameo before attending law school.
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John Kellogg, Professor of Music Business/Management at Berklee College of Music, discusses the impact that using a sample of a copyrighted work can have on your bottom line, and offers some alternative creative strategies that will keep all your work’s income flowing to you and you only.



Shoot Date:
October 2007
Related Materials

Keywords:
Copyright | Music Schools | Sampling | Songwriting

This Video Clip Appears on:
Copyright | Songwriting
Company or School:
Berklee College of Music

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