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Music Industry Profile: Attorney Wallace Collins Attorney Wallace Collins on Transitioning from the Music Business to Entertainment Law The Difference between Representing Producers and Artists A Typical Day in the Life of an Entertainment Lawyer New York vs. California Courts: Why They Handle Copyright Cases Differently Why it’s Difficult in the USA to Get out of a Contract You’ve Signed When Should an Artist Seek Legal Advice? Why Should Musicians Copyright Their Songs? What do Copyright Symbols Mean? Sound Recordings and Works Made for Hire What is a “Work for Hire?” The Controlled Composition Clause and Why It Reduces Your Bottom Line Why Are Licensing Rates Determined by Law? Compulsory Licenses and Sync Licenses Defined Publishing Deals and Performance Rights Organizations Should Radio Stations in the USA Start Paying Performance Rights Fees? Is New York The Right Place to Start Your Career in Music? The Death of the Album and the Future of the Music Industry
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Wallace Collins
Wallace Collins is an independently practicing music attorney based in New York City.
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Wallace Collins, an entertainment attorney based in New York, discusses some essential books that anyone who needs to learn about how the legal side of the music business should read.



Shoot Date: October 2007
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Keywords:
Advice | Lawyer | Music Industry

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