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An Overview of ASCAP and Performing Rights Organizations How ASCAP Works with and for Songwriters Understanding The Right of Public Performance: What it Means and How it Generates Money What to Expect When Signing on with ASCAP The Benefits of Registering Songs with a Performing Rights Organization Who are ASCAP and BMI? Teaching Students the Many Facets of Music Publishing A Game with No Rules: Making Sense of Performance Rights in the Age of New Media Ring tones, Downloads, and the Big Picture in Performing Rights Issues Exploring the Implications of Internet Radio Licenses
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What Are Performing Rights Organizations?
The Authors Registry
SoundExchange
SoundtrackNet
The Firm
SESAC
The American Society of Composers, Authors, and Publishers (ASCAP)
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Performance Royalties 101: An Overview

Shawn Murphy
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Description:

ASCAP Midwest Membership Director Shawn Murphy gives a detailed explanation of how performance royalties are generated in various broadcast media, such as commercial radio, network television, and the Internet. In addition, Murphy outlines some of the factors that affect how much a publisher or songwriter can earn on a given performance, and the reasons why web-based broadcasts continue to pose economic challenges to performance rights organizations and publishers.



Shoot Date:
December 2007
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Keywords:
Music Publishing | Performing Rights Organizations | Royalties

This Video Clip Appears on:
Publishing
Company or School:
ASCAP | Columbia College Chicago

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