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Music Editor Dan Carlin on the Roles of a Music Editor Music Editor Dan Carlin on the Roles of a Music Supervisor Music Editor Dan Carlin on the Roles of a Music Director Music Editor Dan Carlin on the Roles of a Soundtrack Producer Music Editor Dan Carlin on the Roles of a Music Consultant Music Editor Dan Carlin on The Henry Mancini Institute Music Editor Dan Carlin on His Introduction to the Recording Academy Music Editor Dan Carlin on Forming Segue Music Company Music Editor Dan Carlin on Collaboration Music Editor Dan Carlin on Breaking Into The Film Industry Music Editor Dan Carlin on Difficulties in the Music for Film Industry Music Editor Dan Carlin on Illegal Downloading and Corporate Thinking Music Editor Dan Carlin on Beginning a Career in Film Music Music Editor Dan Carlin on His Career in the Music Business
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Music Industry Profile: Music Editor Dan Carlin

Dan Carlin
Dan Carlin, Chair of the Film Scoring Department at Berklee and Chair Emeritus of the Recording Academy, has had a long and varied career in the business of music for film. His many credits include The Black Stallion (music editor), Sister Act (music consultant), The Last Of The Mohicans (music supervisor) and A Civil Action (conductor). In addition to his film work, Carlin served as the Executive Director of the Henry Mancini Institute, a music education and scholarship program, until it closed its doors in December 2006.
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Description:

Music editor Dan Carlin shares his wisdom and defines several roles in music for film, including music editor, music supervisor, and soundtrack producer. He shares his passion for music education and gives practical and realistic advice for students who want to pursue music for film as a career.



Shoot Date:
February 2007
Related Materials

Keywords:
Composing | Film/TV Scoring | Music Education | Production | Songs in Films

This Video Clip Appears on:
Music Production
Company or School:
Berklee College of Music | The Recording Academy

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