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Music Lawyer Jay Cooper on Getting His Start in Music and Law What Makes a Great Lawyer? The Digital Age and the Future of The Business of Music Explaining The 360 Model and why It Won’t Save the Music Business Explaining Alternative Record Distribution Strategies (Paul McCartney, Prince, The Eagles and Radiohead) What Do Major and Mini-Major Record Labels Look For in Artists Today? What is a 50/50 Record Deal? 35 Year Copyright Reversion Clause, Works for Hire, and the Future of the Music Business The RIAA, Public Relations, and the Real Reason They're Suing Your Grandmother Why Does the Copyright Term Keep Getting Longer? Why The Controlled Composition Clause of the Copyright Code is 'an Abomination' The (Moral, Ethical and) Fiduciary Responsibilities of Music Companies Why Should Artists Be Aware of The Business Side of Music? Advice for Parents of Musicians ABA 2008: The Practice of Entertainment Law, Past, Present & Future – Full Session ABA 2008: The Practice of Entertainment Law, Past, Present & Future – Full Session ABA 2008: The Practice of Entertainment Law, Past, Present & Future – The History of Entertainment Law ABA 2008: The Practice of Entertainment Law, Past, Present & Future – What Entertainment Lawyers Need to Know Today ABA 2008: The Practice of Entertainment Law, Past, Present & Future – The Future of Entertainment and Entertainment law ABA 2008: Termination of Sound Recording Copyrights – Full Session ABA 2008: Termination of Sound Recording Copyrights – Background on Music Copyright Termination ABA 2008: Termination of Sound Recording Copyrights – Defining “Authorship” Under Federal Copyright Regulation, Part 1 ABA 2008: Termination of Sound Recording Copyrights – The Future of Copyright Ownership
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Creative Commons
Copyright Clearance Center Online
U.S. Copyright Office
Future of Music Coalition
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Copyright Royalty Board
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Sony BMG Music Entertainment
Universal Music Group
Alliance of Artists and Recording Companies

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Music Industry Profile: Music Attorney Jay Cooper

Jay Cooper
Attorney Jay Cooper is Chair of the Los Angeles Entertainment Practice of Greenberg Traurig. In addition to his decades-long career representing some of the biggest names in rock and pop, Cooper is a former president of NARAS, a noted author in the fields of intellectual property and contract negotiation, and an in-demand guest lecturer. He is also a musician who, early in his career, made the decision to abandon a professional music career for one in entertainment law.
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Jay Cooper, a Los Angeles-based music lawyer introduces himself and the practice of music law, and shares some incredibly valuable information about the state of the music business today. Among the topics discussed: how file sharing fits into the history of recorded music; whether new-style record deals like 360-degree contracts, 50/50 deals, and non-traditional distribution channels (e.g. Starbucks) are worth your time; the difficult and potentially costly to artists question of whether recorded music counts as work-for-hire under US law; the real reason the RIAA is suing your grandmother, and much more.



Shoot Date:
November 2007
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Keywords:
Contracts | Copyright | Future of Music | Lawyer | Music Industry Today | Record Companies | Record Deals

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Music as a Business | Team
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Greenberg Traurig

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