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Music Industry Profile: Music Editor Dan Carlin Music Editor Dan Carlin on the Roles of a Music Editor Music Editor Dan Carlin on the Roles of a Music Supervisor Music Editor Dan Carlin on the Roles of a Music Director Music Editor Dan Carlin on the Roles of a Soundtrack Producer Music Editor Dan Carlin on the Roles of a Music Consultant Music Editor Dan Carlin on The Henry Mancini Institute Music Editor Dan Carlin on His Introduction to the Recording Academy Music Editor Dan Carlin on Forming Segue Music Company Music Editor Dan Carlin on Collaboration Music Editor Dan Carlin on Breaking Into The Film Industry Music Editor Dan Carlin on Illegal Downloading and Corporate Thinking Music Editor Dan Carlin on Beginning a Career in Film Music Music Editor Dan Carlin on His Career in the Music Business
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    Music Editor Dan Carlin on Difficulties in the Music for Film Industry

    Dan Carlin
    Dan Carlin, Chair of the Film Scoring Department at Berklee and Chair Emeritus of the Recording Academy, has had a long and varied career in the business of music for film. His many credits include The Black Stallion (music editor), Sister Act (music consultant), The Last Of The Mohicans (music supervisor) and A Civil Action (conductor). In addition to his film work, Carlin served as the Executive Director of the Henry Mancini Institute, a music education and scholarship program, until it closed its doors in December 2006.
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    Description:

    Music editor Dan Carlin describes the difficulties involved in negotiating with industry partners in putting songs in films. He explains that record companies have their own agenda in promoting artists, which may not fit with the vision for a film.



    Shoot Date:
    February 2007
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    This Video Clip Appears on:
    Music Production
    Company or School:
    Berklee College of Music | The Recording Academy

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