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Empowering the Artist How to Get Your Band's Career Started the Right Way The Importance of the Live Gig and Making Connections Musician and Entrepreneur Can Musicians Allow Their Music to be Used to Sell Stuff, Without Selling Out? Music Publishing 101 How do publishing fees work? Have You Considered a Career in Non-Profit Arts Management? What is a Mechanical License? How to Make Your Career Your Business and Succeed Recommended Reading: Good to Great Recommended Reading: The Tipping Point Recommended Reading: Getting Things Done Recommended Reading: Getting Signed! by George Howard The Business Side of Songwriting Where It All Begins: Putting Together and Perfecting Your Live Show What a Manager Can Do for Your Band (...And Where to Find One) What Can a Lawyer Do for Artists Getting Their Start? Is Your Band Ready for a Booking Agent? When Should You Hire a Publicist? What Can an Indie Radio Promoter Do For You? Building a Team to Support Your Music Career Building Towards Booking a Tour Running Your Band's Business The Long Tail and What It Means to Your Career A Master Class on the Arts in a Market Economy: You, Your Music, and how Capitalism Can Help You Find Your Audience Master Class on the Arts in a Market Economy, Part 1 of 7: Being an Independent Artist Master Class on the Arts in a Market Economy, Part 2 of 7: That's Right! Capitalism Can Help You Sell Your Music Master Class on the Arts in a Market Economy, Part 3 of 7: Technology and the Business of Independent Music Master Class on the Arts in a Market Economy, Part 4 of 7: The Law of One Price and the Truth About the Economics of Downloading Master Class on the Arts in a Market Economy, Part 5 of 7: The Long Tail, Market Diversity, and Finding Your Niche Master Class on the Arts in a Market Economy, Part 6 of 7: How Outsiders Drive Innovation Master Class on the Arts in a Market Economy, Part 7 of 7: Market Interests and Getting Your Music Heard Evaluating a Business Idea in Today’s Music Industry Music Industry Entrepreneurship Advice from George Howard Strategies for Creating a Hip-Hop Production Company A Case Study in the Ethics of the Music Business with George Howard of ArtistsHouse and Matt Bauerschmidt of Loyola University, Music Business 101- Intro Music Business 101, Lesson 1: “Without This, There is Nothing” Music Business 101- Lesson 2 Music Business 101, Question and Answer Session 1 Introduction to Music Industry Studies: Week 1, Introductory Session I Introduction to Music Industry Studies: Week 1, Introductory Session II Introduction to Music Industry Studies: Week 2 – What is a Record Company? Introduction to Music Industry Studies: Week 3 – Marketing and Promotion Introduction to Music Industry Studies: Week 5 – Lawyers and Managers Introduction to Music Industry Studies: Week 7 – Ethics Introduction to Music Industry Studies: Week 9 – Publishing Introduction to Music Industry Studies: Week 10 – Contracts Introduction to Music Industry Studies: Week 11 – Distribution
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Music Business 101- Lesson 9: Launching an Artist & the Importance of Innovation

George Howard
Former president of the storied Rykodisc label and founder of Slow River Records, George Howard is an accomplished musician, producer, executive, and educator. He currently holds posts as Assistant Professor of Management at Loyola University, Instructor and lecturer at Berklee College of Music’s BerkleeMusic program, and editor and frequent contributor to Artists House. He is the author of Getting Signed! An Insider's Guide to the Record Industry, and Publishing 101, both aimed at educating aspiring artists in how to succeed in a music industry game that at times seems rigged against them.
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George Howard, Professor of Music Business at Loyola University, New Orleans and ArtistsHouse Music, continues his course “Music Business 101” with a discussion of the importance of building a system for your career within which you are free to innovate and which you don’t deviate from. He describes how adhering to this system is a recipe for laying the groundwork for an enduring and successful career in music, and why embracing innovation – within the bounds of your core values – can add enormous momentum to your career. He also discusses the value proposition of presenting music to fans and why giving people exactly what they want is the surest way to get no word-of-mouth at all. Then, he explains how to harness your focus, motivation and master plan to devise one of several possible strategies that can break your or your clients’ music wide open.



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Keywords:
Independent Artists | Making It | Networking | What it Takes

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Process | Development
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Loyola University New Orleans

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