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What a Music Supervisor Does The Future of the Film Industry in Louisiana How a Music Supervisor Finds Music for Films How Does Music Get Used In Films? Using Original Music vs. Existing Music in Films Music Supervisor Joel C. High on Founding His Own Music Supervision Company Dealing with Industry and Company Politics Contracting Existing Music for Use in Films Altering Existing Music Used in a Film The Future of the Film Industry in Louisiana Networking and Building Relationships
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Loyola University Forum with Music Supervisor Joel C. High

Joel C. High
Joel High is a music supervisor based in Los Angeles, CA. Formerly with TriMark and Lion’s Gate, he has designed and coordinated the music for films like Akeelah and the Bee, Monster’s Ball, Wonderland and Crash, and now runs his own music supervision company.
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Description:

In this forum recorded at Loyola University, New Orleans, music supervisor Joel C. High discusses the ins and outs of his career and his experiences starting his own company. He goes into detail about the licensing and creative issues that a music supervisor deals with daily, how to work with directors and navigate the politics of a big-budget production, and how to use your professional contacts and reputation to build a lasting career in the music industry.



Shoot Date:
October 2006
Related Materials

Keywords:
Film/TV Scoring | Licensing | Music Supervising | Networking | Songs in Films | Work For Hire

This Video Clip Appears on:
Copyright | Services | Networking
Company or School:
Loyola University New Orleans | Loyola University New Orleans Forum

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