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Interpreting Music as a Performer

Susan McClary
Susan McClary is Professor of Musicology at the University of California, Los Angeles. Best known for her book, Feminine Endings: Music, Gender, and Sexuality (U. Minnesota Press, 1991), she is a specialist in the cultural criticism and critical theory of music, especially in the European and Western popular canons. She has written widely on subjects like feminism, narrativity and gender issues as expressed in the European music tradition, and is an avid pianist and harpsichordist.
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Susan McClary, Professor of Musicology at the University of California, Los Angeles, discusses the various ways that musicians approach interpreting music, and the outcomes that each approach can yield. She uses her own study of 17th-century French harpsichord music, and the ways in which it doesn’t make sense to 21st-century ears as an example of the challenges and opportunities that await musicians inside a piece of music.



Shoot Date:
November 2007
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Keywords:
Music Schools | Musicianship

This Video Clip Appears on:
Classical/Opera | Playing Music
Company or School:
UCLA

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