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Music Educator Profile: Film Composer and Professor of Composition Paul Chihara of UCLA Film Composer Paul Chihara on Building His Career Working as a Composer on a Film Production Team Composer Paul Chihara on the Source of his Creative Energies Using Technology to Facilitate the Composing Process Using Folk and Other Music as Material for Composing Is Score Study Important in Today’s Composing Environment? Music for Video Games – The Japan Connection Why Film Composers Should Understand the History of Film Composing When is the Composer Brought Into the Filmmaking Process? How Does One Get Into Film Composing? Are Film Composers Entrepreneurs? Learning to Present Yourself as a Professional
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Integrating Existing Songs into a Film’s Score

Paul Chihara
Paul Chihara is Professor of Music Theory and Composition and Chair of the Composition Area at the University of California, Los Angeles. He is also an accomplished composer for both the concert hall and for films, who studied with Nadia Boulanger, Ernst Pepping, and Gunther Schuller. His compositions have won numerous awards and have been played by notable ensembles around the world, and he has also written several groundbreaking ballets including Shin-ju and The Tempest. In addition, he has composed scores for nearly 100 feature films, including films by Sidney Lumet, Louis Malle, and Hayao Miyazaki.
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Paul Chihara, Professor of Composition at UCLA, points out some of the things a film composer/scorer must keep in mind when integrating an existing song into the film.



Shoot Date:
November 2007
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Keywords:
Composing | Film/TV Scoring | Music Schools

This Video Clip Appears on:
Songwriting
Company or School:
UCLA

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