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Additional Resources
Related Websites
Music Industry Profile: President of APM Music Library Adam Taylor An Introduction to APM Music and the Music Library Business How APM Music Library Finds New Music To Sign How A Music Library Determines Their Licensing Rates How APM Music Library Makes Money How to License a Piece of Music from APM Music Licensing Music for Video Games APM Music - The Secrets of Their Success How APM Music Manages Copyrights and Musical Assets What Does APM Music Look For in Artists Whose Music They Sign? What Skills Do APM Music Staff Workers Need? What It Takes To Be a Good Manager of People The Effect of Wide Availability on Retail Music Consumption The Future of the Business of Music
Related Websites
What Are Performing Rights Organizations?
SoundExchange
Canadian Musical Reproduction Rights Agency (CMRRA)
SoundtrackNet
The Firm
Signature Sound
The Basics of Music Clearance
SESAC
The American Society of Composers, Authors, and Publishers (ASCAP)
BMI

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  • Can Musicians Allow Their Music to be Used to Sell Stuff, Without Selling Out? What is a Mechanical License? Getting a Job in Licensing Music The Business of Licensing Music Publishing and the Digital Age Compulsory License Video Game Licensing When Does one need an ASCAP License? The Future of Music Licensing What is a Compulsory License?
  • Performing Rights Organizations
  • How to Get Your Band's Career Started the Right Way About ASCAP The Difference between ASCAP and BMI The Fee for ASCAP's Services When Does one need an ASCAP License? ASCAP Resources What Students Need to Know BMI and other Performance Rights Organizations The Business Side of Songwriting How Sound Exchange Works
How Synchronization Rights and Performance Rights Work

Adam Taylor
Adam Taylor is President of APM Music, the largest production music library in the world. APM’s client list boasts an impressive array of names, from major broadcast television networks and video game publishers to the NFL, and the company offers over 200,000 titles for licensing in addition to custom scoring services. Prior to his service at APM, Taylor served in executive positions with Caswell-Massey, Goldman/Taylor Entertainment and Taylor/Fox Enterprises.
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Adam Taylor, President of APM Music, describes what synchronization rights and performance rights are and how they apply to the performance and broadcast of recorded music, and how performance rights organizations collect fees and pay artists their share.



Shoot Date:
November 2007
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Keywords:
Licensing | Performing Rights Organizations

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APM Music

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