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Music Industry Profile: George Maloian of APM Music George Maloian of APM Music on Getting Started in the Music Business How Music Is Licensed for Ad Campaigns What Qualities Do You Need to Work as a Music Supervisor? George Maloian of APM Music on Staying Current with Musical and Technological Trends How Can an Artist Get Their Music Used in a Film? Advice for Becoming a Music Supervisor What Music Can Do To Enhance a Film How Much Does It Cost to Place a Hit Song in a Film? George Maloian of APM Music on Meeting the Needs of His Clients How Helpful Is a Liberal Arts Education to a Career in the Music Business? Is It Possible to Secure an Exclusive License for a Song? The Business of Sampling Is it Still a Copyright Violation If I'm Not Making Money Off of It? How Do You Track Down the Owner of a Copyright? How Songs and Commercials Benefit Each Other
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How Music Licensing Issues Can Restrict How a Piece of Film Is Used

George Maloian
In his long and varied career, George Maloian has worked on all sides of the music business – as a manager at a major record label, at a music publishing firm, as a music supervisor, and most recently as Key Account Executive at APM Music. In this role, he partners with the company’s largest and most prestigious accounts to find the right music for their marketing campaigns. He is also a musician, and has a degree in composition.
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George Maloian, Key Account Executive with APM Music, discusses how issues of music licensing can partially determine the future uses of a piece of film, and how music licensed from a publisher differs from works for hire in this regard.



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Keywords:
Licensing | Songs in Films | Work For Hire

This Video Clip Appears on:
Music as a Business | Copyright
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APM Music

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