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Loyola University Forum with Music Supervisor Joel C. High What a Music Supervisor Does The Future of the Film Industry in Louisiana How a Music Supervisor Finds Music for Films Using Original Music vs. Existing Music in Films Music Supervisor Joel C. High on Founding His Own Music Supervision Company Dealing with Industry and Company Politics Contracting Existing Music for Use in Films Altering Existing Music Used in a Film The Future of the Film Industry in Louisiana Networking and Building Relationships
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How Does Music Get Used In Films?

Joel C. High
Joel High is a music supervisor based in Los Angeles, CA. Formerly with TriMark and Lion’s Gate, he has designed and coordinated the music for films like Akeelah and the Bee, Monster’s Ball, Wonderland and Crash, and now runs his own music supervision company.
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Joel C. High, a music supervisor based in Los Angeles, CA, discusses with an audience at Loyola University, New Orleans the various ways that music supervisors use songs and music in the films they work on – for example, how a hit song is used versus how a song written on a work-for-hire basis by a songwriter is used versus how a film is scored – and what factors come into play when making these decisions.



Shoot Date:
October 2006
Related Materials

Keywords:
Film/TV Scoring | Music Supervising | Songs in Films | Work For Hire

This Video Clip Appears on:
Music as a Business | Services
Company or School:
Loyola University New Orleans | Loyola University New Orleans Forum

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