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A Seminar in Music Business Strategy with Berklee Professor John Kellogg Preparing Yourself for a Music Industry Career Copyright Registration Strategy Getting Your Music Heard (and Turning That into Cash) The Role of Major Labels in Today’s Industry (and is a Major Deal Right for You?) Why Join a Performance Rights Organization? Live Performance as a Driver of Your Career Starting Small to Making it Big Signing a Contract? Get a Lawyer! Networking and Recognizing Industry Players Ethics and Professional Reputation: What Goes Around Comes Around Sampling – Does it Make Business Sense? File Sharing and New Models for the Industry
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Getting the Most Out Of Your Recording Contract Negotiations

John Kellogg
John Kellogg is an entertainment attorney, performer, and Assistant Chair of the Music Business/Management Department at Berklee College of Music. He is also a practicing lawyer, who for many years represented the R&B group The O’Jays, and who currently represents singer Gerald Levert as well as emerging artists. Kellogg also performed and recorded with the R&B/funk group Cameo before attending law school.
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John Kellogg, Professor of Music Business/Management at Berklee College of Music, describes some important points of negotiation for when you are getting ready to sign your first recording contract, points out some clauses which should be non-negotiable, and discusses some new features of contracts that, if you’re very lucky and very tenacious, you can turn to your advantage.



Shoot Date:
October 2007
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Keywords:
Contracts | Getting Signed | Music Schools | Record Deals

This Video Clip Appears on:
Music as a Business | Business
Company or School:
Berklee College of Music

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