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Music Industry Profile: Entertainment Attorney Kendall Minter Entertainment Lawyer Kendall Minter on His Career as a Lawyer Entertainment Lawyer Kendall Minter on Who Needs an Entertainment Lawyer Entertainment Lawyer Kendall Minter Explains an Attorney’s Role in Negotiating Artist Deals Entertainment Lawyer Kendall Minter on the Impact of the Changing Music Industry on the Law Profession Entertainment Lawyer Kendall Minter Describes Common Music Industry Contracts Entertainment Lawyer Kendall Minter Defines a 360 Deal Entertainment Lawyer Kendall Minter Explains Who Needs Legal Representation Entertainment Lawyer Kendall Minter Explains When a Band Needs a Contract Entertainment Lawyer Kendall Minter on Music Licensing Agreements Attorney Kendall Minter on Making a Career as an Entertainment Lawyer Entertainment Lawyer Kendall Minter Explains Why Symphony Members Don’t Need Legal Representation Entertainment Lawyer Kendall Minter on Using Template Contracts Attorney Kendall Minter Defines the Line between the Roles of Lawyers and Managers Entertainment Attorney Kendall Minter on Lawyer/Artist Relationships Entertainment Lawyer Kendall Minter on Expanding His Client Base Entertainment Lawyer Kendall Minter on Conflicts of Interest in the Legal Profession Entertainment Lawyer Kendall Minter Gives Tax Advice for Musicians Entertainment Lawyer Kendall Minter on the Future of the Music Industry Entertainment Lawyer Kendall Minter Gives Advice for Copyrighting Songs Kendall Minter on Dealing with Music Licensing Companies Entertainment Lawyer Kendall Minter on the Recent RIAA Suits Entertainment Lawyer Kendall Minter Explains New Media’s Influence on Music Contracts Entertainment Lawyer Kendall Minter on Attorney Fees Loyola University Forum with Static: A Hip-Hop Dialogue – Full Session Static: A Hip-Hop Dialogue – Panelist Introductions Static: A Hip-Hop Dialogue – Does Hip-Hop Mirror Real Life? Static: A Hip-Hop Dialogue – Who is Responsible when Hip-Hop Artists “Misbehave?” Static: A Hip-Hop Dialogue – What Motivates Consumers to Buy Hip-Hop? Static: A Hip-Hop Dialogue – The Impact of Internet Sales and Downloads on Hip-Hop Static: A Hip-Hop Dialogue – Message and Reality in Hip-Hop Static: A Hip-Hop Dialogue – Controversy and Originality in Hip-Hop Static: A Hip-Hop Dialogue – Audience Questions Part 1 of 2 Static: A Hip-Hop Dialogue – Audience Questions Part 2 of 2
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Entertainment Lawyer Kendall Minter on Video Game Deals

Kendall Minter
Kendall Minter is an entertainment attorney based in Atlanta, GA, with satellite offices in many other U.S. cities. He is a graduate of Cornell University, and is co-founder and a member of the Board of Directors of the Black Entertainment and Sports Lawyers Association. His past and present clients include Archbishop Desmond Tutu, Shabba Ranks, Lena Horne, Hugh Masekela, The Government of Jamaica, The Backstreet Boys, Teddy Riley, Freddie Jackson, The Fat Boys, Peter Tosh, Onyx, and many others.
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Attorney Kendall Minter explains why licensing music for video games is more of a promotional opportunity than an especially lucrative one, but does outline some negotiating points he uses to maximize profitability for his clients.



Shoot Date: September 2008
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Keywords:
Licensing | Video Games

This Video Clip Appears on:
Publishing | Legal
Company or School:
Minter & Associates, LLC

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