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A Seminar in Sound Engineering with Berklee’s Carl Beatty Advice for the Aspiring Recording Engineer We'll Fix It in the Mix- Overcoming Bad Production/Engineering Habits in the Era of Unlimited Tracks Do You Need an Engineer in the Studio? MP3s and Sound Quality Recording Engineers Then and Now Training Recording Engineers at Berklee Can Digital Recordings Sound as Good as Analog? Berklee’s Carl Beatty on Great-Sounding Records Advice for Equipping and Running a Home Studio What Makes a Good Assistant Engineer? How to Evaluate an Engineer You Want to Hire Advice for Parents of Students Applying to Berklee College of Music
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Engineering for Every Listening Environment

Carl Beatty
Carl Beatty is Chief of Staff to the President of Berklee College of Music, and a Professor of Engineering and Production at the College. He is also a seasoned recording engineer with nearly three decades of studio experience. He has recorded sessions for artists such as Luther Vandross, Tom Jones, Billy Ocean, Aretha Franklin and George Benson, among many others.
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Carl Beatty, a veteran engineer and Professor of Production and Engineering at Berklee College of Music, shares his thoughts on the art of engineering a recording to sound good everywhere – in cars, in mono, on tiny home speakers – and not just on your state-of-the-art reference system.



Shoot Date:
October 2007
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Keywords:
Engineer | Music Schools | Sound Design

This Video Clip Appears on:
Professional Recording
Company or School:
Berklee College of Music

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