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Music Industry Profile: Entertainment Lawyer and Author Don Passman Don Passman on “What Does a Music Lawyer Do?” When Does an Artist Need a Lawyer? Don Passman on How to Become a Music Lawyer Don Passman on: All You Need to Know About the Music Business Don Passman on Who an Artist Needs on Their Team Don Passman on Artist Deals and the Future of the Music Industry Don Passman on the Difference between Artist Royalties and Mechanical Royalties Don Passman on how Changes in the Music Industry Affect Your Career Goals and Business Strategy Don Passman on the Importance of Passion to a Career in Music AIMP Forum on 360 Deals: Full Session AIMP Forum - Introduction AIMP Forum on 360 Deals: the History of 360 Deals AIMP Forum on 360 Deals: Inside a Record Deal Negotiation Part 1 AIMP Forum - Hypothetical Record Deal Part 2 AIMP Forum on 360 Deals: Wrap-up and Summary – Who is Making 360 Deals & How They Work in Practice
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Don Passman on Why He Became a Music Lawyer

Don Passman
Donald Passman is one of America’s foremost entertainment lawyers and author of All You Need to Know About the Music Business, widely considered to be the single most essential and influential book ever written about how the music industry works. A partner with the Los Angeles, CA-based firm Gang, Tyre, Ramer, and Brown, Passman has negotiated some of the most lucrative deals in history for artists such as Janet Jackson and R.E.M, and is an in-demand speaker, lecturer, and educator on music business topics.
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Don Passman is an entertainment lawyer and author of All You Need to Know About the Music Business. He discusses his start as a tax lawyer, his background in the music business, and his preference for working on the artist side of the business. Passman also talks about what he believes is the key to a long, successful career.



Shoot Date:
September 2006
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Keywords:
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Gang, Tyre, Ramer & Brown, Inc.

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I became a music lawyer very much on purpose. I started out life as tax lawyer thinkign that that would be an interesting sort of fun thing to do with the idea that I could maybe do tax planning for entertainers and move over to or do both at the same time. But I had been around music my whole life. My step-father was a disc jockey, I played music when I was a kid, and I played in bands in college and law school. Loved music, intentionally wanted to be in the business, knew I couldn’t make it as a musician so I decided I would do it as a lawyer. And when I found out there was such a thing as music law it was like putting my two loves together and it was like fun; it wasn’t like working.

So I went to a firm that was doing it. I was fortunate to get a job there and got trained mostly on the record company side. In those days we represented more companies than artists. And then I becuase temperamentally I relate more to artists I decided to build an artists practice and did that on my own
I decided early in my career that I wanted to be in the artist side of the business. I didn’t want to work for a company. That’s two fold. One, I like the independence of having a number of clients and as opposed to if you work at a company you have one. Two, temperamentally I relate better to artists. I have a creative side to myself and I like being around creative people. I particularly enjoy taking concepts of business and explaining them to creative people because those two worlds don’t mix and match too well; they’re always at tension with each other. And I like sort of like being at the point where the two meet and seeing how it works together.
I decided to go to a private firm just because I thought that would be the best place to represent artists. I like the independence; I like the camaraderie of being with other people. I would prefer that to working by myself which I find a little bit lonesome. I like talking things over with other people, bouncing ideas, I always believe that two bright people discussing something will come up something that neither one of them would have had by themselves.
I think the key to having a long successful career starts with loving what you do and wanting to do it and being passionate about it. I don’t think that you can continue for a long period of time and be happy in your life unless you’re feeling in sync with who you are what you’re doing are the same kinds of things. So I think it’s important to be passionate about what you’re doing and to want to pursue it. I also think it’s important to have some variety to what you do. I think doing the same thing over and over again would get dull would be hard to keep doing it. I think that if you do it with integrity and you do it and treat people with respect this is a relatively small business. You don’t want to be in a position of hurting people if you can avoid it. And I think that’s important to having a long term career. I mean the business is based on information, it’s based on relationships, it’s based on being part of a community and I think you have to be a good citizen within the community to have a long career.
I truly love working in the music industry. I love music. I like listening to it. I like playing it. I like being around musicians. I find the whole process exciting and since it’s not something I have the talent to do and make a living as a musician I really get a thrill out of being what I hope to be is considered a key player in musicians’ lives.
[End of Audio]


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