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Chris Blackwell on Getting Your Music Heard by Record Labels Chris Blackwell on U2 and Digital Cross-Promotion Chris Blackwell on Why Music Downloads Can Be Good Business Chris Blackwell on Being a Music Entrepreneur Today Independent Film Distribution Chris Blackwell on How He Entered the Music Business Chris Blackwell on the Challenges of Finding Distribution for an Independent Label Chris Blackwell on Independent Labels and the Challenges of Artist Development Chris Blackwell on the Value of Local Radio Chris Blackwell on Music in Louisiana Chris Blackwell on Working with Bob Marley Chris Blackwell on the Connection between New Orleans Music and Reggae Chris Blackwell on Entrepreneurship in Rap Music Chris Blackwell - Will Record Labels Expand Into Other Areas Chris Blackwell on How Artists Can Build a Sustainable Career Chris Blackwell on Working with Tom Waits Chris Blackwell on Working with U2 Chris Blackwell on Who Should Seek a Career in the Music Business Chris Blackwell on Putting Out His First Record Chris Blackwell on Musical Taste and Success Chris Blackwell on Why You Should Know Your Business Chris Blackwell on What it Takes to Excel in the Music Business Chris Blackwell on the Craft of Artist Development Chris Blackwell on How to Market a New Artist Chris Blackwell: What I Look For When Choosing to Sign an Artist Chris Blackwell on the Risks and Rewards of Distribution Partnerships Chris Blackwell on Why Having a Great Live Show is Critical to Your Success Chris Blackwell on the State of the Music Industry Today Chris Blackwell on the Importance of Regional Marketing Chris Blackwell on the Visual Side of Music Chris Blackwell on the Role of Management in Developing New Artists Chris Blackwell on Major Labels in the Digital Age Chris Blackwell on How to Build Your Fan Base Chris Blackwell on the iPod Chris Blackwell on Jamaican Music Chris Blackwell: Are Live Albums Worth It? Chris Blackwell on Marketing New Artists in a Changing Industry Chris Blackwell on Pop Culture, Grassroots Music, and the Future of Music Chris Blackwell: Should Developing Artists Stay Independent? Loyola University Forum with Chris Blackwell of Island Records: Getting Signed in Today's Music Business Chris Blackwell Seminar Loyola University Forum with Chris Blackwell about Starting a Career in the Music Business
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World Music Institute
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Future of Music Coalition
The Future of Music

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Chris Blackwell on the Future of Indigenous Music in a Digital World

Chris Blackwell
Chris Blackwell is the founder of Island Records and one of the most successful entrepreneurs in music-industry history. From relatively humble beginnings in an office in Jamaica, Blackwell grew Island into an international force, finally selling the label to A&M records in 1989. Along the way, Blackwell and Island were responsible for changing the face of pop music repeatedly. Bob Marley was an Island discovery, and the label was the driver of reggae’s rise to a global cultural phenomenon. The label was also home to U2 from 1980-1997, and shepherded them from their Dublin pub beginnings to the apex of their stardom. Under Blackwell’s long tenure, Island became known as a haven for creative and quirky artists, releasing landmark albums from artists as diverse as Traffic, Tom Waits, Fairport Convention, Robert Palmer, The Pogues, Frankie Goes To Hollywood and Anthrax. Blackwell now heads a new venture, Palm Pictures, which is a film, music and new-media company that focuses on world and electronic music, independent film, and internet-delivered content.
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Chris Blackwell, founder of Island Records, shares his thoughts on how indigenous folk musics around the world can survive and remain viable, and the challenges that face makers, distributors and advocates of indigenous music in today’s market.



Shoot Date:
Mar-05
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Keywords:
Future of Music | World Music

This Video Clip Appears on:
World
Company or School:
Loyola University New Orleans | Loyola University New Orleans Forum

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