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Music Industry Profile: Music Director Edwina Travis-Chin Edwina Travis-Chin of APM Music on Being a Music Supervisor Edwina Travis-Chin of APM Music on Being a Music Supervisor What Does a Music Supervisor Do? Being Sensitive to the Needs of Your Clients as a Music Supervisor Keeping Current with New Musical Styles as a Music Supervisor How to Get Your Music Signed to a Label or Publisher What Skills Should a Music Library Director Have? Advice for Parents of Children Considering a Career in Music Advice for Young Musicians on Succeeding in a Music Career Advice for Becoming a Music Supervisor Scoring Animated Entertainment The Effect of Technology on APM Music’s Distribution Model The Future of the Music Business Music Director Edwina Travis-Chin on “Can You Still Listen to Music for Pleasure?” How Illegal File Sharing Affects Recording Artists The Value of Music Education
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Edwina Travis-Chin
Edwina Travis-Chin is a music director with APM Music, in which role she collaborates with music supervisors from all areas of the entertainment industry to find them music from APM’s affiliated libraries that will meet their needs. Prior to this role, she worked as a music supervisor, a copyright clearances coordinator, and a music teacher.
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Edwina Travis-Chin, a music director with APM Music, offers career advice to people considering a life as a scorer for film, television or video games – in particular the musical training that the most successful scorers possess.



Shoot Date: November 2007
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Keywords:
Advice | Film/TV Scoring | What it Takes

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Process | Songwriting
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APM Music

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