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Understanding Copyright Issues in the Digital Age Introducing Copyright Expert Dr. E. Michael Harrington Criteria for Determining a Composition’s Originality Examples of Fair Use of Copyrighted Material The Legal Challenges and Cultural Benefits of Sampling Copyrighted Material The Composer’s Dilemma: Musical Influence Versus Plagiarism Adapting Licensing Laws in a Changing Industry Defending Fair Use in a Litigious Industry Breaking New Artists on the Internet The Pros and Cons of Subscription-Based Music in an Ownership Society Examining the European Union and Canadian Approach to Digital Copyright Issues The Consequences of Restricting Consumers’ Rights to Make Ephemeral Recordings The Audio Home Recording Act as a Precedent to Future Fair Use Laws Putting Copyright Law in Its Historical Context
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Harry Fox Agency
American Mechanical Rights Agency

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  • Mechanical License
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Assigning Value to Mechanical Royalties

E. Michael Harrington
Dr. E. Michael Harrington is professor of intellectual property at Belmont University in Nashville, TN and has served as an expert witness in numerous music copyright cases. He is also chair of the College Music Society Committee on the Music Industry, serves on the board of directors of the Nashville Composers Association, and on the Advisory Board of Plagiary.
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IP professor and copyright law expert Dr. E. Michael Harrington talks about the ways in which the old royalty system has become outmoded, suggesting that the variety of delivery methods available through modern technology (MP3s, ring tones, CDs) may require different royalty rates.



Shoot Date:
October 2007
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Keywords:
Mechanical License

This Video Clip Appears on:
Publishing
Company or School:
Belmont University

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