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Music Industry Profile: Artist and Producer Ethan Gold Artist and Producer Ethan Gold on Songwriting Artist and Producer Ethan Gold on Creative versus Analytical Producing Artist and Producer Ethan Gold on the Technical Aspect of Producing Artist and Producer Ethan Gold on Having a Vision Before Entering the Studio Artist and Producer Ethan Gold on the Advantages and Perils of Home Recording Artist and Producer Ethan Gold on Producing Expenses Artist and Producer Ethan Gold on Home Recording Equipment Needs Artist and Producer Ethan Gold on Mastering Artist and Producer Ethan Gold on Mixing Artist and Producer Ethan Gold on Mastering Artist and Producer Ethan Gold on Being an Artist and a Producer
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Artist and Producer Ethan Gold on Big Studio Recording

Ethan Gold
Los Angeles-based artist and producer Ethan Gold has an eclectic set of credits to his name. Best known for his production on Elvis Perkins’ critically acclaimed album, Ash Wednesday (on which he also contributed much of the instrumentation), he has also contributed to albums by The Good Listeners, Let’s Go Sailing, and Radio 8 Ball. In addition, Gold has achieved success in the film soundtrack industry, most notably in the 2004 film Mean Creek with his songs “Our Love Is Beautiful” and “On Edge”.
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Artist and producer Ethan Gold makes a case for recording in a large studio, even in today’s low-budget music industry. He argues that especially for mixing, working in a large studio is worth the time and money.



Shoot Date:
February 2007
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Keywords:
Budget | Mixing | Production | Recording | Recording Studio

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