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ABA Forum: The Legal Implications of DIY Music in a MySpace World - Full Session ABA Forum: DIY Music in a Myspace World - The RIAA’s Lawsuits Against Copyright Infringers ABA Forum: DIY Music in a Myspace World - Live Nation’s 360 Deal with Madonna – Who Benefits Most? ABA Forum: DIY Music in a Myspace World - What Will the Music Industry of 2012 Look Like? ABA Forum: DIY Music in a Myspace World - Will Labels Invest in Every Revenue Stream They Get a Piece Of in 360 Deals? ABA Forum: DIY Music in a Myspace World - Is Music Still Valuable in Today’s Internet Age? ABA Forum: DIY Music in a Myspace World - Exploring New Models for Monetizing Music Listening ABA Forum: DIY Music in a Myspace World - What Does the Future Look Like For Music Lawyers? ABA Forum: DIY Music in a Myspace World - Can and Should a Conventional Record Deal Be Converted into a 360 Deal? 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ABA Forum: The Legal Implications of DIY Music in a MySpace World - Full Session ABA Forum: DIY Music in a Myspace World - The RIAA’s Lawsuits Against Copyright Infringers ABA Forum: DIY Music in a Myspace World - How Do Labels and Artists Measure Success in Today’s Music Business? ABA Forum: DIY Music in a Myspace World - Monetizing Unauthorized Music Downloading at Universities ABA Forum: DIY Music in a Myspace World - Is a Hardware-Based Model of Music Distribution and DRM a Solution to Music Piracy? ABA Forum: DIY Music in a Myspace World - What Will the Music Industry of 2012 Look Like? ABA Forum: DIY Music in a Myspace World - Will Labels Invest in Every Revenue Stream They Get a Piece Of in 360 Deals? ABA Forum: DIY Music in a Myspace World - Is Music Still Valuable in Today’s Internet Age? ABA Forum: DIY Music in a Myspace World - Exploring New Models for Monetizing Music Listening ABA Forum: DIY Music in a Myspace World - What Does the Future Look Like For Music Lawyers? 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ABA Forum: DIY Music in a Myspace World - How Has Digital Rights Management Actually Affected Sales/Is There A Future For DRM? ABA Forum: DIY Music in a Myspace World - Monetizing Unauthorized Music Downloading at Universities ABA Forum: DIY Music in a Myspace World - Is a Hardware-Based Model of Music Distribution and DRM a Solution to Music Piracy? ABA Forum: DIY Music in a Myspace World - What Will the Music Industry of 2012 Look Like? ABA Forum: DIY Music in a Myspace World - Will Labels Invest in Every Revenue Stream They Get a Piece Of in 360 Deals? ABA Forum: DIY Music in a Myspace World - Is Music Still Valuable in Today’s Internet Age? ABA Forum: DIY Music in a Myspace World - Exploring New Models for Monetizing Music Listening
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ABA Forum: DIY Music in a Myspace World - A Lawyer’s Perspective on Radiohead’s Pay-What-You-Want-Model

Gary A. Watson | Michael Guido | Robert Windham | Stanley H. Schneider | Terry McBride
Terry McBride is co-founder and CEO of Nettwerk Productions, the largest independent record label in Canada. Since its inception in 1984, McBride has grown Nettwerk into a diversified artist services empire, encompassing Nettwerk Records (a record label), Nettwerk Management (an artist management firm), Nettwerk Music Publishing, Nettmedia (a web and digital media enterprise), and Artwerks (a graphic arts and fashion design house). To date, Nettwerk releases have sold more than 100 million copies worldwide. McBride was also one of the creators of the Lilith Fair, a pioneering all-female performer concert tour that enjoyed great success for several years in the late 1990s.
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In this clip from the 2007 American Bar Association Forum on the Entertainment and Sports Industries, the panelists discuss what Radiohead’s lawyers would have done to make the pay-what-you-want experiment safe for their artist, how they would advise Radiohead if they were the lawyer in question, and what the long-term prospects for such a model are.



Shoot Date:
October 2007
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Keywords:
Distribution | Independent Artists | Lawyer | Music Industry | Music Industry Today | Record Deals

This Video Clip Appears on:
Music as a Business | Business
Company or School:
American Bar Association (ABA)

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