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ABA 2008: Termination of Sound Recording Copyrights – Full Session ABA 2008: Termination of Sound Recording Copyrights – Background on Music Copyright Termination ABA 2008: Termination of Sound Recording Copyrights – Defining “Authorship” Under Federal Copyright Regulation, Part 2 ABA 2008: Termination of Sound Recording Copyrights – The Future of Copyright Ownership ABA 2008: Termination of Sound Recording Copyrights – Full Session ABA 2008: Termination of Sound Recording Copyrights – Background on Music Copyright Termination ABA 2008: Termination of Sound Recording Copyrights – Defining “Authorship” Under Federal Copyright Regulation, Part 2 ABA 2008: Termination of Sound Recording Copyrights – The Future of Copyright Ownership Music Industry Profile: Music Attorney Jay Cooper Music Lawyer Jay Cooper on Getting His Start in Music and Law What Makes a Great Lawyer? The Digital Age and the Future of The Business of Music Explaining The 360 Model and why It Won’t Save the Music Business Explaining Alternative Record Distribution Strategies (Paul McCartney, Prince, The Eagles and Radiohead) What Do Major and Mini-Major Record Labels Look For in Artists Today? What is a 50/50 Record Deal? 35 Year Copyright Reversion Clause, Works for Hire, and the Future of the Music Business The RIAA, Public Relations, and the Real Reason They're Suing Your Grandmother Why Does the Copyright Term Keep Getting Longer? Why The Controlled Composition Clause of the Copyright Code is 'an Abomination' The (Moral, Ethical and) Fiduciary Responsibilities of Music Companies Why Should Artists Be Aware of The Business Side of Music? Advice for Parents of Musicians ABA 2008: The Practice of Entertainment Law, Past, Present & Future – Full Session ABA 2008: The Practice of Entertainment Law, Past, Present & Future – Full Session ABA 2008: The Practice of Entertainment Law, Past, Present & Future – The History of Entertainment Law ABA 2008: The Practice of Entertainment Law, Past, Present & Future – What Entertainment Lawyers Need to Know Today ABA 2008: The Practice of Entertainment Law, Past, Present & Future – The Future of Entertainment and Entertainment law ABA 2008: Termination of Sound Recording Copyrights – Full Session ABA 2008: Termination of Sound Recording Copyrights – Background on Music Copyright Termination ABA 2008: Termination of Sound Recording Copyrights – The Future of Copyright Ownership NARAS 2007 Panel: Record Deals in the Digital Age Music Industry Profile: Entertainment Attorney Kendall Minter ABA 2008: The Practice of Entertainment Law, Past, Present & Future – Full Session ABA 2008: The Practice of Entertainment Law, Past, Present & Future – The History of Entertainment Law ABA 2008: The Practice of Entertainment Law, Past, Present & Future – What Entertainment Lawyers Need to Know Today ABA 2008: The Practice of Entertainment Law, Past, Present & Future – The Future of Entertainment and Entertainment law ABA 2008: Termination of Sound Recording Copyrights – Full Session ABA 2008: Termination of Sound Recording Copyrights – Background on Music Copyright Termination ABA 2008: Termination of Sound Recording Copyrights – Defining “Authorship” Under Federal Copyright Regulation, Part 2 ABA 2008: Termination of Sound Recording Copyrights – The Future of Copyright Ownership Music Educator Profile: Attorney and USC Thornton School Professor Mark Goldstein Attorney and USC Music Industry Professor Mark Goldstein on his Background and Career USC Professor and Attorney Mark Goldstein on Whether Being a Musician Makes Someone a Better Entertainment Lawyer Are "360 Deals" Worth It? What Record Sales Really Mean: Digital versus Traditional Retail The Truth About File Sharing and the Future of the Music Industry The Copyright Ramifications of Sampling So... You Think You Want To Be a Professional Musician What Record Sales Really Mean: Digital versus Traditional Retail ABA 2008: Termination of Sound Recording Copyrights – Full Session ABA 2008: Termination of Sound Recording Copyrights – Background on Music Copyright Termination ABA 2008: Termination of Sound Recording Copyrights – Defining “Authorship” Under Federal Copyright Regulation, Part 2 ABA 2008: Termination of Sound Recording Copyrights – The Future of Copyright Ownership
Related Websites
Library of Congress Online
Sample Work For Hire Agreement
Creative Commons
Copyright Clearance Center Online
U.S. Copyright Office
Copyright Navigator
Copyright Royalty Board
Friends of Active Copyright Educators
Alliance of Artists and Recording Companies
Copyright

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ABA 2008: Termination of Sound Recording Copyrights – Defining “Authorship” Under Federal Copyright Regulation, Part 1

Ann Chaitovitz | David Nimmer | Jay Cooper | Ken Abdo | Mark Goldstein
Mark Goldstein is Clinical Professor of Music Industry at the Thornton School of Music at the University of Southern California, and former Vice President of Business Affairs at Warner Bros. Records, from which he retired in 2004 to teach full time. Prior to his time at Warner Bros., he worked in private practice and for other record labels. He has published articles on the business side of music, and occasionally guest-lectures on this subject.
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In this segment of a panel held at the 2008 meeting of the American Bar Association’s Forum on Sports & Entertainment Law, the panelists discuss the slippage present in the term “author” as applies to the agent of record behind the creation of a sound recording, in the context of Federal copyright law.



Shoot Date:
October 2008
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Keywords:
Copyright | Work For Hire

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American Bar Association (ABA)

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