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ABA 2008 Forum: The Life of a Song ABA 2008 Forum – The Life Cycle of a Song: Introductions ABA 2008 Forum – The Life Cycle of a Song: Mechanical Royalties and Problems With Royalty Rates Today ABA 2008 Forum – The Life Cycle of a Song: Remixes, Samples & Mash-Ups and Copyright Clearances ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Video Game Licensing ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Television and Film Licensing ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Repurposing in Musical Theatre ABA 2008 Forum – The Life Cycle of a Song: Question & Answer Know Your Own Business, Get a Better Record Deal Breaking Down the Artist's Team with Dina LaPolt Pro Advice on Developing New Talent Making It as a Band Getting into the Business Loyola University Forum with Music Lawyer Dina LaPolt Entertainment Lawyer Dina LaPolt on Starting Her Career Entertainment Lawyer Dina LaPolt on Making a Transition to a New Career Getting Signed in Today’s Music Industry Building a Career as a Working Band How Sound Exchange Works Law, Industry Custom, and Why Artists Get Stiffed Making Your Peace with Fans “Pirating” Your Music What You Should Fight For (or Forget About) When Negotiating Your Recording Contract Management Contracts and When You Need One Building Good Industry Relationships Advice on Becoming a Music Lawyer How a Music Lawyer Gets Paid Finding a Good Music Lawyer ABA 2008 Forum: The Life of a Song ABA 2008 Forum – The Life Cycle of a Song: Introductions ABA 2008 Forum – The Life Cycle of a Song: Mechanical Royalties and Problems With Royalty Rates Today ABA 2008 Forum – The Life Cycle of a Song: Remixes, Samples & Mash-Ups and Copyright Clearances ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Video Game Licensing ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Television and Film Licensing ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Repurposing in Musical Theatre ABA 2008 Forum – The Life Cycle of a Song: Question & Answer Music Industry Bio - Jeffrey Brabec of Chrysalis Music Group Compulsory License Fair Use Music with TV and Movies Ringtone Royalties Sampling Types of Publishing Deals Video Game Licensing Work for Hire ABA 2008 Forum: The Life of a Song ABA 2008 Forum – The Life Cycle of a Song: Introductions ABA 2008 Forum – The Life Cycle of a Song: Mechanical Royalties and Problems With Royalty Rates Today ABA 2008 Forum – The Life Cycle of a Song: Remixes, Samples & Mash-Ups and Copyright Clearances ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Video Game Licensing ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Television and Film Licensing ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Repurposing in Musical Theatre ABA 2008 Forum – The Life Cycle of a Song: Question & Answer Todd Brabec- Full Interview About ASCAP The Difference between ASCAP and BMI The Fee for ASCAP's Services Music, Money, and Success Todd Brabec of ASCAP on: Exploiting What You Have Performance Royalties for Films When Does one need an ASCAP License? What Should a Publisher Be Doing For You? ASCAP Resources Pro Advice for Film Composers ABA 2008 Forum: The Life of a Song ABA 2008 Forum – The Life Cycle of a Song: Introductions ABA 2008 Forum – The Life Cycle of a Song: Mechanical Royalties and Problems With Royalty Rates Today ABA 2008 Forum – The Life Cycle of a Song: Remixes, Samples & Mash-Ups and Copyright Clearances ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Video Game Licensing ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Television and Film Licensing ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Repurposing in Musical Theatre ABA 2008 Forum – The Life Cycle of a Song: Question & Answer
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ABA 2008 Forum – The Life Cycle of a Song: Revenue Generated from Merchandising Uses

Cynthia Sanchez | Dina LaPolt | Jeffrey Brabec | Todd Brabec
Todd Brabec is the former Executive Vice President of the American Society of Composers, Authors and Publishers (ASCAP), a membership association of nearly 300,000 US-based songwriters, lyricists, and publishers. He is also the author, with his brother Jeffrey, of “Music, Money, and Success: The Insider’s Guide to Making Money in the Music Industry, 5th ed.” (Schirmer, 2006).
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In this excerpt from a panel discussion held at a 2008 meeting of the American Bar Association’s Sports & Entertainment Law Forum, the panelists discuss how compositions generate fees and royalties from merchandising uses. Examples cited are lyrics printed on clothing as well as compositions and master recordings licensed for singing toys and a musical toothbrush.



Shoot Date: October 2008
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Keywords:
Copyright | Legal | Licensing | Royalties

This Video Clip Appears on:
Copyright | Legal
Company or School:
American Bar Association (ABA)

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