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An Overview of ASCAP and Performing Rights Organizations How ASCAP Works with and for Songwriters Performance Royalties 101: An Overview Understanding The Right of Public Performance: What it Means and How it Generates Money What to Expect When Signing on with ASCAP The Benefits of Registering Songs with a Performing Rights Organization Who are ASCAP and BMI? Teaching Students the Many Facets of Music Publishing Ring tones, Downloads, and the Big Picture in Performing Rights Issues Exploring the Implications of Internet Radio Licenses
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What Are Performing Rights Organizations?
The Authors Registry
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SoundtrackNet
The Firm
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The American Society of Composers, Authors, and Publishers (ASCAP)
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A Game with No Rules: Making Sense of Performance Rights in the Age of New Media

Shawn Murphy
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ASCAP Midwest Membership Director and music publishing teacher Shawn Murphy talks about the difficulties in applying the standard royalty model to new kinds of performances such as ring tones and streaming radio, which don’t fit clearly into any existing performance category. In the absence of a new industry standard, Murphy talks about how he helps his students extrapolate ways to monetize performance rights in a changing landscape.



Shoot Date:
December 2007
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Keywords:
Music Publishing | Performing Rights Organizations | Royalties

This Video Clip Appears on:
Publishing | Teaching
Company or School:
ASCAP | Columbia College Chicago

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