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Strategies for Creating a Hip-Hop Production Company Russell Rains and Kelvin Brown on How a Lawyer Can Help You Found, Focus and Protect Your Business An Interview with Student and Producer Kelvin Brown Producer Kelvin Brown on Becoming a Hip-hop Producer Producer Kelvin Brown Discusses His Home Production Rig Producer Kelvin Brown Discusses His Creative Process Advice for Aspiring Producers and Artists from Producer Kelvin Brown Record Producer Kelvin Brown on Getting Started in Music, Creating Works for Hire and Planning for Success Producer Kelvin Brown on the Importance of Owning Your Own Copyrights Getting Paid for the Beats, Tracks and Songs you Create
Related Websites
Library of Congress Online
Sample Work For Hire Agreement
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A Conversation with Producer Kelvin Brown on Getting Your Music Heard and Getting Paid For Making It

Kelvin Brown
Kelvin Brown, a student at Loyola University New Orleans and a hip-hop producer, shares some of the lessons he’s learned as he’s made his way in the business so that others can do the same.
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CHAPTERS
Getting Started and Work for Hire -
Copyrights -
Generating Revenue -

Description:

Kelvin Brown, a student at Loyola University, New Orleans, and an up and coming record producer, talks with George Howard of ArtistsHouse and Loyola about the challenges that face a new player in the music business, and how young people can get their name known, retain control of their copyrights, and monetize the music they write or produce in order to build a lucrative career in music.



Shoot Date:
September 2007
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Keywords:
Contracts | Copyright | Making It | Producer | Work For Hire

This Video Clip Appears on:
Musician's Strategy | Copyright | Publishing | Development | Music Business | Legal | Business
Company or School:
Loyola University New Orleans

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