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 <title>Joel Sill</title>
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 <description>Joel SillJoel Sill, an independent music supervisor and publisher, talks about his career and about music publishing.</description>
 <comments>http://www.artistshousemusic.org/videos/joel+sill#comment</comments>
 <category domain="http://www.artistshousemusic.org/taxonomy/term/4734">Intermedia Film</category>
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 <title>Becoming A Music Supervisor</title>
 <link>http://www.artistshousemusic.org/videos/becoming+a+music+supervisor</link>
 <description>Becoming A Music SupervisorJoel Sill, an independent music supervisor and publisher, gives advice to anyone wanting to become a music supervisor. Sill suggests starting at a film studio. Even though there aren&#039;t a lot of them, they offer the broadest range of information. Music supervisors must know about all the aspects of the music business, such as record companies, record producers, and publishing. </description>
 <comments>http://www.artistshousemusic.org/videos/becoming+a+music+supervisor#comment</comments>
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 <title>Background on Joel Sill</title>
 <link>http://www.artistshousemusic.org/videos/background+on+joel+sill</link>
 <description>Background on Joel SillJoel Sill, an independent music supervisor and publisher, talks about his background.</description>
 <comments>http://www.artistshousemusic.org/videos/background+on+joel+sill#comment</comments>
 <category domain="http://www.artistshousemusic.org/taxonomy/term/4734">Intermedia Film</category>
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 <title>Working with Composers</title>
 <link>http://www.artistshousemusic.org/videos/working+with+composers</link>
 <description>Working with ComposersJoel Sill, an independent music supervisor and publisher, talks about working with composers when supervising a film. He explains that it varies depending on the composer. Some composers like to collaborate and others don&#039;t. Also in this segment, Sill discusses having the opportunity to give some composers their big break, such as James Newton Howard and James Horner. He also tells the story of Elliot Goldenthal. Sill predicts that Alexandre Desplat has an incredibly bright future as well.</description>
 <comments>http://www.artistshousemusic.org/videos/working+with+composers#comment</comments>
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 <title>Film Royalties - Getting Your Song in a Film</title>
 <link>http://www.artistshousemusic.org/videos/film+royalties+getting+your+song+in+a+film</link>
 <description>Film Royalties - Getting Your Song in a FilmIn this segment, Joel Sill, an independent music supervisor and publisher, talks about getting an artist&#039;s songs in a film. Song placement in a film can be extremely beneficial and an artist can receive money from numerous sources such as usage fees, the soundtrack revenue from record sales, and TV syndication. </description>
 <comments>http://www.artistshousemusic.org/videos/film+royalties+getting+your+song+in+a+film#comment</comments>
 <category domain="http://www.artistshousemusic.org/taxonomy/term/4956">Supervision</category>
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 <title>The Changing World of Distribution and Advertising</title>
 <link>http://www.artistshousemusic.org/videos/the+changing+world+of+distribution+and+advertising</link>
 <description>The Changing World of Distribution and AdvertisingJoel Sill, an independent music supervisor and publisher, gives his thoughts on current distribution plans, advertising strategies, FM radio vs. Satellite Radio, and the rising popularity of Digital Media Technology.</description>
 <comments>http://www.artistshousemusic.org/videos/the+changing+world+of+distribution+and+advertising#comment</comments>
 <category domain="http://www.artistshousemusic.org/taxonomy/term/4446">How do I get distribution?</category>
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 <title>Being a Music Publisher</title>
 <link>http://www.artistshousemusic.org/videos/being+a+music+publisher</link>
 <description>Being a Music Publisher</description>
 <comments>http://www.artistshousemusic.org/videos/being+a+music+publisher#comment</comments>
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