http://www.artistshousemusic.org/people/Jay+Cooper The taxonomy view with a depth of 0. http://www.artistshousemusic.org/videos/aba+2008+termination+of+sound+recording+copyrights+background+on+music+copyright+termination ABA 2008: Termination of Sound Recording Copyrights – Background on Music Copyright TerminationIn this segment of a panel held at the 2008 meeting of the American Bar Association’s Forum on Sports & Entertainment Law, the panelists examine the legal underpinnings of the current music copyright landscape, including the coming cascade of music copyright reversions from labels to artists, songwriters and producers, the debates over work-for-hire statutes (and whether recorded music may be considered work-for hire), as well as various revisions to US copyright law – including an attempt in 1999 by the RIAA to insert language in a copyright revision bill adding sound recordings to the list of nine specific types of creation which may be considered work for hire. http://www.artistshousemusic.org/videos/aba+2008+termination+of+sound+recording+copyrights+background+on+music+copyright+termination#comment American Bar Association (ABA) Ann Chaitovitz Copyright David Nimmer Jay Cooper Ken Abdo Mark Goldstein Work For Hire Wed, 07 Jan 2009 14:23:01 -0800 matt 51905 at http://www.artistshousemusic.org/videos/aba+2008+termination+of+sound+recording+copyrights+defining+authorship+under+federal+copyright+regulation+part+1 ABA 2008: Termination of Sound Recording Copyrights – Defining “Authorship” Under Federal Copyright Regulation, Part 1In this segment of a panel held at the 2008 meeting of the American Bar Association’s Forum on Sports & Entertainment Law, the panelists discuss the slippage present in the term “author” as applies to the agent of record behind the creation of a sound recording, in the context of Federal copyright law. http://www.artistshousemusic.org/videos/aba+2008+termination+of+sound+recording+copyrights+defining+authorship+under+federal+copyright+regulation+part+1#comment American Bar Association (ABA) Ann Chaitovitz Copyright David Nimmer Jay Cooper Ken Abdo Mark Goldstein Work For Hire Wed, 07 Jan 2009 14:24:20 -0800 matt 51906 at http://www.artistshousemusic.org/videos/aba+2008+termination+of+sound+recording+copyrights+the+future+of+copyright+ownership ABA 2008: Termination of Sound Recording Copyrights – The Future of Copyright Ownership http://www.artistshousemusic.org/videos/aba+2008+termination+of+sound+recording+copyrights+the+future+of+copyright+ownership#comment American Bar Association (ABA) Ann Chaitovitz copyright lesson David Nimmer Jay Cooper Ken Abdo Mark Goldstein Wed, 07 Jan 2009 14:25:57 -0800 matt 51908 at http://www.artistshousemusic.org/videos/aba+2008+termination+of+sound+recording+copyrights+full+session ABA 2008: Termination of Sound Recording Copyrights – Full SessionIn this panel held at the 2008 meeting of the American Bar Association’s Forum on Sports & Entertainment Law, panelists Ken Abdo, Ann Chaitovitz, Jay Cooper, Mark Goldstein and David Nimmer discuss what they expect will happen as copyright ownership on music recorded since 1978 begins to revert from the labels that released the recordings to the authors of the music, and all the difficulties that will arise from this transition – for example, ongoing attempts by the RIAA to add music to the list of nine specific types of work for hire, the question of who exactly is the “author” of a sound recording, and how future evolutions in content delivery are likely to affect copyright and royalty regulations. http://www.artistshousemusic.org/videos/aba+2008+termination+of+sound+recording+copyrights+full+session#comment American Bar Association (ABA) Ann Chaitovitz Copyright David Nimmer Jay Cooper Ken Abdo Mark Goldstein Work For Hire Wed, 07 Jan 2009 14:20:54 -0800 matt 51903 at http://www.artistshousemusic.org/node/51866 ABA 2008: The Practice of Entertainment Law, Past, Present & Future – Full SessionIn this plenary panel discussion presented at a 2008 meeting of the American Bar Association, panelists Lon Sobel, Ken Abdo, Jay Cooper, David Given, Joel Katz, David Knochemsen, Ed Pearson and Mike Rudell discuss how the practice of entertainment law has evolved over the last half-century, from a few lonely practitioners doing an ill-defined set of tasks to a large and sprawling body of jurisprudence, legal theory, and competing orthodoxies. http://www.artistshousemusic.org/node/51866#comment American Bar Association (ABA) David Given David Knochemsen Ed Pearson Jay Cooper Joel Katz Ken Abdo Lon Sobel Michael Rudell Wed, 07 Jan 2009 12:55:15 -0800 matt 51866 at http://www.artistshousemusic.org/videos/aba+2008+the+practice+of+entertainment+law+past+present+future+the+future+of+entertainment+and+entertainment+law ABA 2008: The Practice of Entertainment Law, Past, Present & Future – The Future of Entertainment and Entertainment lawIn this segment of a plenary session of the American Bar Assocation’s 2008 Entertainment & Sports Forum, focusing on the past, present and future of entertainment law, the panelists explain how the legal underpinnings of the entertainment industry are likely to evolve over the coming years, and how this relates to cultural and technological changes in how music, film, television and other media are distributed and consumed. http://www.artistshousemusic.org/videos/aba+2008+the+practice+of+entertainment+law+past+present+future+the+future+of+entertainment+and+entertainment+law#comment American Bar Association (ABA) David Given David Knochemsen Ed Pearson Future of Music Jay Cooper Joel Katz Ken Abdo Lon Sobel Michael Rudell Wed, 07 Jan 2009 12:59:49 -0800 matt 51870 at http://www.artistshousemusic.org/videos/aba+2008+the+practice+of+entertainment+law+past+present+future+the+history+of+entertainment+law ABA 2008: The Practice of Entertainment Law, Past, Present & Future – The History of Entertainment LawIn this segment of a plenary session of the American Bar Assocation’s 2008 Entertainment & Sports Forum, focusing on the past, present and future of entertainment law, the panelists discuss how the industry worked when they first began their careers - whether the work has become more or less specialized over time, what they did with their day, how they attracted clients, how big entertainment firms were then, how to help clients today navigate thorny issues of rights, how to help them cross-collateralize their work, and, most of all, what “entertainment law” as a concept even means today. http://www.artistshousemusic.org/videos/aba+2008+the+practice+of+entertainment+law+past+present+future+the+history+of+entertainment+law#comment American Bar Association (ABA) David Given David Knochemsen Ed Pearson Jay Cooper Ken Abdo Lon Sobel Michael Rudell Wed, 07 Jan 2009 12:57:33 -0800 matt 51868 at http://www.artistshousemusic.org/videos/aba+2008+the+practice+of+entertainment+law+past+present+future+what+entertainment+lawyers+need+to+know+today ABA 2008: The Practice of Entertainment Law, Past, Present & Future – What Entertainment Lawyers Need to Know TodayIn this segment of a plenary session of the American Bar Assocation’s 2008 Entertainment & Sports Forum, focusing on the past, present and future of entertainment law, the panelists discuss what entertainment lawyers need to understand about today’s business, and whether business knowledge has become more important than knowledge of the law. They also offer advice to anyone who wishes to become an entertainment lawyer – especially how dangerous and difficult some statutes can be to interpret, and what the penalties are for not doing your homework when making deals and performing due diligence. http://www.artistshousemusic.org/videos/aba+2008+the+practice+of+entertainment+law+past+present+future+what+entertainment+lawyers+need+to+know+today#comment American Bar Association (ABA) David Given David Knochemsen Jay Cooper Joel Katz Ken Abdo Lon Sobel Michael Rudell Wed, 07 Jan 2009 12:58:53 -0800 matt 51869 at http://www.artistshousemusic.org/videos/music+industry+profile+music+attorney+jay+cooper Music Industry Profile: Music Attorney Jay CooperJay Cooper, a Los Angeles-based music lawyer introduces himself and the practice of music law, and shares some incredibly valuable information about the state of the music business today. Among the topics discussed: how file sharing fits into the history of recorded music; whether new-style record deals like 360-degree contracts, 50/50 deals, and non-traditional distribution channels (e.g. Starbucks) are worth your time; the difficult and potentially costly to artists question of whether recorded music counts as work-for-hire under US law; the real reason the RIAA is suing your grandmother, and much more. http://www.artistshousemusic.org/videos/music+industry+profile+music+attorney+jay+cooper#comment Music as a Business Team Contracts Copyright Future of Music Greenberg Traurig Jay Cooper Lawyer Music Industry Today Record Companies Record Deals Mon, 03 Dec 2007 12:51:44 -0800 matt 9060 at http://www.artistshousemusic.org/videos/why+should+artists+be+aware+of+the+business+side+of+music Why Should Artists Be Aware of The Business Side of Music? Jay Cooper, a music lawyer based in Los Angeles, offers advice to aspiring artists on what they should do, know, and pay attention to, to have the best chance of having a long and successful career. He also advises artists to stay involved in the industry-wide business issues that artists confront - Cooper for example cites the mystifying lack of artist participation in efforts to get a radio performance royalty passed into law in the USA, the lack of which costs American artists tens of millions of dollars every year in lost revenue. http://www.artistshousemusic.org/videos/why+should+artists+be+aware+of+the+business+side+of+music#comment Music as a Business Business Advocacy Greenberg Traurig Jay Cooper Music Industry Today Publishing Royalties Mon, 03 Dec 2007 13:08:44 -0800 matt 9075 at