Attorney Kendall Minter discusses some of the problems that can arise when a band doesn’t have a contract that outlines how they would handle common disputes.

Kendall Minter gives a comprehensive overview of what an entertainment lawyer does, what kinds of individuals need one, and how recent changes in the music industry have impacted the legal profession.

In this segment of a panel discussion held at Loyola University, New Orleans in 2008, the panelists discuss Russell Simmon’s assertion that hip-hop artists reflect the realities lived by hip-hop fans back to them, and to what degree this is true.

In this panel discussion, one of four convened at Loyola University, New Orleans in 2008 as part of the Music Industry Department’s senior projects, panelists Kendall Minter, Carol Guess (both entertainment attorneys), producer Bennie Diggs, student and street team organizer Ben Brubecker, communications professor Lisa Martin, and producer Mike Moe address some of the problems and opportunities that the hip-hop industry faces today. They discuss music piracy, marketing in traditional and online venues, how artists reach an audience, and the role of controversy, misogyny and violence in selling hip-hop in the marketplace, and what effect these forces have on artists, the record-buying public, and society.

Attorney Kendall Minter lists the cities in which he practices law and gives a brief overview of the types of legal issues he handles for his clients.

In this segment of a panel discussion held at Loyola University, New Orleans in 2008, moderator Stephen Brown introduces the panelists: entertainment attorney Kendall Minter, entertainment attorney Carol Guess, producer Benny Diggs, student and street team organizer Ben Brubecker, communications professor Lisa Martin, and producer Mike Moe.

Attorney Kendall Minter explains how music licensing agreements can help developing artists place their music in film and television, and offers some criteria that can be used to gauge a music licensing company’s reputation.

Attorney Kendall Minter discusses how recent changes in the economy have made it more difficult to begin a career in entertainment law, but offers advice as to how to be successful in the field.

Attorney Kendall Minter explains why symphony members, as union workers, typically don’t need the services of an entertainment lawyer.

Attorney Kendall Minter explains how an entertainment lawyer’s expertise can protect an artist’s interest better than a template contract can, but concedes that, if you can’t afford an attorney, a template is often better than nothing.

Entertainment lawyer Kendall Minter explains why most lawyers might not be the best equipped individual to handle all aspects of an artist’s career development.

Attorney Kendall Minter explains how building a strong personal relationship with a client can lead to a long term business relationship.

Attorney Kendall Minter explains how word of mouth is his primary form of new client acquisition.

Attorney Kendall Minter explains why licensing music for video games is more of a promotional opportunity than an especially lucrative one, but does outline some negotiating points he uses to maximize profitability for his clients.

Attorney Kendall Minter describes several scenarios in which conflicts of interest can arise between lawyers and their clients, such as representing both a manager and his or her artist. He explains why the Bar Association requires full disclosure in such situations, and discusses the laws that would protect them if a conflict should arise.

Attorney Kendall Minter offers advice on how frequently musicians should pay their taxes and suggests types of professionals that can best help them prepare financially for the future.

Attorney Kendall Minter describes the kinds of professionals who would need an entertainment lawyer, and also suggests options for those who can’t afford one.

Attorney Kendall Minter shares his thoughts on where the music industry is going and discusses some of the challenges in monetizing music in today’s marketplace.
Digital is the trend; will replace the CD. Content providers & business people haven’t yet determined how to monetize the new system.

Attorney Kendall Minter explains why copyrighting an entire album at once is more cost effective than registering individual songs.

Attorney Kendall Minter defends some of the recent actions taken by the RIAA, explaining why he thinks that suing students and other individuals for illegal file sharing will send a message that is strong enough to eventually curb such behavior.