Julia Michels is an independent music supervisor. She gives advice on becoming a music supervisor and believes interning and getting into the business is the best way to learn.

Julia Michels is an independent music supervisor. She discusses how she got her start in the music industry. Julia describes the variety of jobs she has held in the industry and talks about the importance of building relationships.

Julia Michels is an independent music supervisor. She discusses the responsibilities of the music supervisor and the music executive during the music process of a new film.

Julia Michels is an independent music supervisor. She describes the responsibilities and work involved in a film project for a music supervisor.

Music supervisor Julia Michels tells how she goes about finding the right songs for the film projects she oversees.

Julia Michels is an independent music supervisor. She gives advice to artists on how to get their music in films.

Julia Michels is an independent music supervisor. She describes the toughest part of her job is creating a balance between working with the studio and the filmmakers.

Julia Michels is an independent music supervisor. She discusses the pros and cons of being independent in her field.

Julia Michels is an independent music supervisor. She discusses music licensing today and the typical negotiation process for licensing a piece of music.

Julia Michels is an independent music supervisor. She discusses the different roles and responsibilities that music supervisors have today and how music supervision has developed.

Julia Michels is an independent music supervisor. She discusses her label that she runs with her business partner. They have worked on soundtracks such as the Borat soundtrack as well as for the Masters of Horror series. The label is distributed by Downtown Records.

Julia Michels is an independent music supervisor. She discusses the responsibilities she had as a film agent's assistant and the experience that she gained from that job.

Julia Michels is an independent music supervisor. She discusses the process of working with an artist to write a song for a film.

Julia Michels of Format Entertainment describes what is involved in being a music supervisor in the production of a movie.