Barry Menes was president and founding partner of the entertainment-law firm Menes Law Corp., and is now an entertainment lawyer and partner at the Century City, CA firm of Tyre Kamins Katz Granof & Menes.
Barry Menes is an entertainment lawyer at a law firm in Century City, California. Menes has been an entertainment lawyer for decades, and brings a wealth of experience and knowledge. He has worked with major artists and labels throughout his career.
Barry Menes is an entertainment lawyer at a law firm in Century City, California. In this clip he gives his background and talks about how he got started as an entertainment lawyer. Barry gives a personal history of places he worked when he was in law school that got him interested in entertainment law.
Entertainment lawyer Barry Menes talks about various publishing deals and how money is made distributed from such arrangements. He also discusses how publishers use their catalogs to generate revenue, and what a good publisher ought to be doing to generate money for their client off their catalog.
Entertainment lawyer Barry Menes discusses what he feels are the most important points of negotiation when an artist and a label are hammering out a record deal. He also shares his thoughts on how the process could be simplified, and what new options artists might try to explore when negotiating.
Barry Menes is an entertainment lawyer at a law firm in Century City, California. In this clip he talks about the importance of having a lawyer and how the artist benefits from the the services of a lawyer.
Barry Menes is an entertainment lawyer at a law firm in Century City, California. In this clip he talks about what he believes will happen in the future with the music industry and how business models will change.
Barry Menes is an entertainment lawyer at a law firm in Century City, California. In this video he discusses dealing with the managers of artists and setting up contracts. He prefers a manager's contract reflect the level of succes they expect from the artist they represent. Managers tend to write contracts that favor their position and not necessarily the artists. Menes considers it his job to wade through the terms and conditions in a contract to protect the artist and their career.
